µµ¼­
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Others >
 

Jazz Composition (Berklee)
¹öŬ¸® À½´ë ÀçÁî ÄÄÆ÷Áö¼Ç
Theory and Practice
Book & Online Audio

ÃâÆÇ»çBerklee Press
ÀúÀÚTed Pease
¾ÆÀÌÅÛ #50448000
ºÐ·®256 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


ÀçÁî ÀÛ°î°¡ Çϸé Á©¸® ·Ñ ¸ðÆ°, Âû¸® ÆÄÄ¿, µðÁö ±æ·¹½ºÇÇ, µ¨·Î´Ï¾î½º ¸ùÅ©, Âû½º ¹Ö±¸½º, ¹ä ºê·è¸¶ÀÌ¾î µîÀÇ °ÅÀåµéÀÌ ¶°¿À¸¨´Ï´Ù.
¹öŬ¸®¿¡¼­ ÃâÆÇÇÑ ÀÌ ±³º»Àº ±×·± ÀÛ°î°¡µé(±×¸®°í ¸¹Àº ´Ù¸¥ ÀÛ°î°¡µé)ÀÌ ¹«¾ùÀ» ¾î¶»°Ô ÇÏ´ÂÁö¿¡ °üÇÑ Ã¥ÀÔ´Ï´Ù.
ÀçÁî ÀÛ°îÀº Àß ´Ü·ÃµÈ ¿¹¼ú·Î ÁøÈ­Çß°í ¾öû³­ °¨Á¤Àû ±íÀÌ¿Í ±× º¹ÀâÇÔÀÇ ±¤´ëÇÑ ÆøÀ¸·Î ±× °á°ú°¡ ³ªÅ¸³³´Ï´Ù.
ÀÌ Ã¥ Jazz Composition: Theory and Practice (ÀçÁî ÄÄÆ÷Áö¼Ç: À̷аú ½ÇÇà)¿¡¼­´Â ¹öŬ¸® À½´ëÀÇ Àü¼³ÀûÀÎ ±³¼ö Ted Pease°¡ ÀÌ·¸°Ô º¹ÀâÇÑ ÀçÁî ÀÛ°îÀÇ °úÁ¤À» ½±°Ô ¼³¸íÇϸ鼭 ±×ÀÇ 25³â¿¡ °ÉÄ£ ÀçÁî ÀÛ°î ¼ö¾÷ÀÇ Á¤¼ö¸¦ ´ã°í ÀÖ½À´Ï´Ù.
¿Â¶óÀÎÀ¸·Î Á¦°øµÇ´Â À½¿ø¿¡´Â ±³Àç¿¡ ³ª¿Â ÀçÁîÀÇ ¸á·Îµð, Çϸð´Ï, ¸®µë µîÀ» ¿¬½ÀÇÒ ¼ö ÀÖ´Â ¹ÝÁÖ À½¿ø°ú ´Ù¾çÇÑ ÀÛ°î ¿¬½À ¿¹Á¦µéÀÌ Æ÷ÇԵǾî ÀÖ¾î ÀڽŸ¸ÀÇ È¿°úÀûÀÎ ÀçÁî ÀÛ°îÀ» ½ÃÀÛÇϴµ¥ È°¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.


- Contents -

Recorded Examples
Preface

Introduction
What is Jazz?
What is Jazz Composition?
Prerequisites: What Do I Need to Know?
Acknowledgments and Thanks
About the Author
How to Use this Book and Audio

Review
Scales
Modes
Tensions
Approach Notes and Other Embellishments
Anticipation and Delayed Attack
Guide Tones

Chapter 1. Melodic Considerations
Definitions
   Exercise
Melodic Rhythm
Melodic Rhythm Density as a Function of Style
   Exercise
Scale Resources
Interval Patterns
   Exercise
Melodic Variation via Modal Interchange
   Exercise
Motivic Devices and the Rudiments of Form
   Repetition
   Sequence
   Motivic Transformation
   Motivic Embellishment
   Exercise
Motifs Based on Intervallic Patterns
   Exercise
Melodies Based on Guide Tones
   Exercise
Embellishing a Guide Tone Line
   Exercise
Melodies Based on Compound Lines
   Exercises
Antecedent and Consequent Phrases
   Exercises
Pitch Contour and Range
Apex (Climax)
   Exercise
Melodic Tension as a Function of Style
   Exercises
Source Material - Melodic Considerations

Chapter 2. Harmonic Considerations
Tonal Harmony (Major Key Orientation)
   Exercises
Tonal Harmony (Minor Key Orientation)
   Exercises
Modal Harmony
   Inverted Voicings in Fourths
   Modal Approach Chords
   Modal Melodies
   Exercises
Harmonic Variation via Modal Interchange
   Exercise
Chromatic Harmony
Harmonic Rhythm (and Density)
Modulations
   Exercises
Ostinato
   Exercise
Inversions and Other Slash Chords
Pedal Point and Constant Structures
   Exercise
Pedal Point and Pandiatonicism
   Exercises
Harmonization
   Exercises
Reharmonization
   Exercise
Source Material - Harmonic Considerations

Chapter 3. Blues and Song Form
Form
The Blues
   Blues: Harmonic Form
   Blues: Melodic Form
   Exercises
Source Material - Blues
Rhythm Changes
   Exercise
Source Material - Rhythm Changes
aaba Song Form
   Warm-Up Exercise
Source Material - aaba form
abac Song Form
   Exercises
Source Material - abac form
Ostinatos (Revisited)
   Exercises
Source Material - Ostinatos
abca Song Form
   Exercise
Through-Composed Tunes
   Exercise
   Exercises
Source Material - Through-Composed Tunes

Chapter 4. Arranging and Formatting Considerations
Getting Your Music Played
Two-Part Soli Writing
   Exercises
Background Writing/Deriving Counterpoint from Guide Tones
   Exercises
Intros, Interludes, and Endings
The Arranger's Chorus
"Group Effort"
   Exercises
Source Material

Chapter 5. Metric Considerations
Metric Modulation
   Exercises
Source Material

Chapter 6. Fusion
Fusion Melody
Fusion Harmony
Fusion Rhythm
Fusion Instrumentation

Chapter 7. Episodic Form
"In Celebration of Saxophones'"
   Exercises
Source Material - Episodic Compositions

Chapter 8. Motivic Composition
   Exercises
Internal Form for Motivic Composition
"Dynamic Duo" - Internal Form
   Exercise
Source Material - Motivic Compositions

Chapter 9. Extended Works
Motivic Continuity in Extended Works
External Form for Extended Works
Internal Forms for Extended Works
Internal Form for "Initiations"
Internal Form for "Reflections"
Internal Form for "This Is What We Do"
   Exercise

Bibliography


 

Copyright © 2006-2016 Music N Books. All rights reserved.