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(ÀýÆÇ)Hal Leonard Recording Method - Book 5: Engineering & Producing
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Music Pro Guides
Book & DVD

ÃâÆÇ»çHal Leonard
ÀúÀÚBill Gibson
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ÃÑ 6±ÇÀ¸·Î ±¸¼ºµÇ¾î ÀÖ´Â Hal Leonard Recording Method ½Ã¸®ÁîÀÇ 5±Ç Engineering & Producing ÀÔ´Ï´Ù.
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- Contents -

Audio and Video Examples
Preface

Chapter 1: The Relevant Producer/Engineer
The Classic Producer/Engineer
   The Qualifications of a Good Producer/Engineer
The Modern Producer/Engineer
   Qualifications of a Modern Producer/Engineer
It's about the Music
What Is Great Music?
Consider Some Classic Hit Makers
   The Beatles
   Steely Dan
   Alicia Keys
   Aretha Franklin
   Run D.M.C.
   Frank Sinatra
What Do We Learn from These Artists and Producers?
   Magnify the Artist
Manager, Engineer, Executive Producer, and Producer
   Manager
   Engineer
   Producer
   Executive Producer
Combining Roles
Characteristics of an Excellent Producer
   Be Positive
   Understand the Difference between the Studio and the Practice Room
   Be Intense but Positive and Supportive
   Compliment the Artist
   Inspire
   Motivate
   Be Knowledgeable
   Be Confident
   Be the Mediator
   Be Decisive
   Be Experienced
   Be Stylistically Relevant
   Be Charismatic
   Be Punctual
   Don't Waste Peoples Time
   Be the Designated Sober Person
   Set the Vision
   Have Strong Communication Skills
   Communicate on an Accessible Level
   Clearly Define the Process
   Develop Verbal Depth
   Motivate
   Be Willing to Listen, Assess, and Decide
The Dictator Versus the Team Builder
   The Team Builder
   The Dictator
   The Team-Building Dictator
Continuing Education
   Books and Magazines
   The Internet
   Classes
   Hard Knocks
   Educational Resources
Professional Organizations
   The Recording Academy
   AES
   SPARS
   RIAA
   AFM
   ASCAP
   BMI
   SESAC
   A2IM
   NAB
   NAMM
   More Organizations
Who Should Be a Producer?
   You've Had Successful Recording Experiences
   You Have More Musical Skills Than Those Whom You Produce
   You Possess the Technical Skills to Get the Sound the Artist Wants
   You Have Self-Produced
Choosing the Right Producer
Producer for Hire
   Demos
   Website
Being the Right Producer
Entrepreneurial Producer
   The Early Stages
   The Later Stages
Finding Talent
   Where Should You Look for New Artists?
Finding Songs
   Become a Songwriter
   The Artist
   Collaboration
   Outsource
   Friends
   Songwriter Affiliations
   Hit Songwriters
Know Your Industry Leaders

Chapter 2: This is Not Your Father's Music Business
The New Model
   Embrace Change
   Networking Is Fundamental
Yesterday's News
   What Happened to My Record Deal?
   Audience, Fans, or Tribe
Making a Production Deal
   Help People Realize Their Dream
   Ask Questions
   Know Effective Selling Points
   Commit to Quality
Sales Projections
   Sales on the Web
Take Action
   Be Informed
   Highlight Previous Production Successes
   Manage Expectations
   Follow Through
   Be Persistent, Be Relentless
   Sample Contracts
Set a Rate, Make the Deal
   Free
   Cheap and Competitive
   Ridiculous
Whatever Happened to Production Points?
Building Financial Backing
   Self
   Kickstarter Campaign
   Loans
   Investors
   The Million Dollar Question
   Indies
   Majors: The Big 5, 4, 3 ...
   Profit and the Major Label Deal
   Making Money from Streaming and Downloads
Develop a Budget
   Producer
   Studio Time
   Keep Estimates in Perspective
   Basic Tracks
   Setup Time
   Instrumental Overdubs
   Backing Vocal Overdubs
   Lead Vocals
   Mixing
   Equipment Rental
   Tape, Discs, Media
   Extra Musicians
   Rehearsals
   Pre-Production
   Metering
   Travel Costs
Low Budget Versus High Budget
Set the Standard and React to the Budget
Set a Musical Standard
The Basic Legal Aspects of Producing and Engineering
   Production Agreement
   Ingredients of a Production Agreement
   Gross or Net
   Forms
   Work-for-Hire Agreements
   Other Agreements
   Does an Engineer Get Points?
Setting Deadlines
   Establish and Explain Deadlines
Getting the Most from Your Musical Product
Royalties from Internet Music Use
   SoundExchange
   Downloads
   Spotify
   Subscription Services (Spotify, MGO, Rdio, etc.)
   Internet Radio (Pandora and Slacker)
   Getting Your Music on iTunes and Other Paid Download Services

Chapter 3: Organization
Planning the Schedule
   Pre-Production Schedule
   Schedule Mastering, Replication, and Artwork
   Schedule an Album Release Party
   Be Realistic
   The 10-Percent Phenomenon
   Production Schedule
Planning Life in the Studio
   Post Daily and Weekly Schedules
   Cell Phones Are Important
   Be Considerate
   Rest
   Guests
   Food

Chapter 4: Relations
Respect
Truth
Motivation
Communication
How to Achieve Good Relations
Co-Producers
Identify the Group Leader
   The Group Leader
   The Creative Leader
   The Producer and the Alphas
Building a Rapport with the Team
The Producers Relational Responsibility
Be Proactive
Communicate!
Group Members
Its All About Love
Financial Backers and Accountants

Chapter 5: Setting Standards
The Ingredients of Perfection
   Emotionally Compelling Performance
   Excellent Musical and Technical Performance
Working with the Musicians
   Finding the Groove
   Communicating Your Ideas
   Commanding Respect
How Good Is Good Enough?
Hiring Musicians
Rehearsals
   The Groove
   Record Rehearsals
   The Structure
   Tightening the Arrangement
   Instrument Conditioning
   Strings
   Heads and Sticks
   Choosing Drum Sounds
   Building Trust
   Health

The Chapter 6: Music
Production Concepts
Analyze Successful Productions
   "Lets Get It Started": Black Eyed Peas
   "I Still Haven't Found What I'm Looking For": U2
   "You'll Think of Me": Keith Urban
Perform Your Own Analysis
Pre-Production
Songs, Songwriting, and Co-Writing
   Song Selection: Matching the Music and the Musicians
   Songwriting Ideas
   Songwriting Tools
   Find a Writing Partner
   The Co-Writing Producer
   Finding Songs
Building an Album
   Deciding on the Arrangement
   Musical Dynamics on a Recording
   Documenting the Songs and Arrangements
The Advantages of Traditional Knowledge
The Advantages of Ignorance and Inexperience
The Advantages of an Open Mind

Chapter 7: Modern Production
Producing Music in the Home Studio
   Optimize Your Setup for Your Creative Needs
Producing Music in the Commercial Recording Studio
   Starting with the Demo
   Booking a Commercial Studio
   Choosing an Engineer
   Compatibility with Home

Chapter 8: Producing a Project
Learn the Limits of the Artist
Constructive Criticism
Arranging
   Standard Song Forms
   The Climax
   The George Martin Phenomenon
Fine-Tune Parts
   Rhythmic Interaction
   Tightening the Kick Drum and Bass Guitar
   Adding the Guitar Comp
   Adding the Pad
   Determine the Size of the Production
   Approaches to Building a Sound
   Drums and Percussion
   Guitar Sounds
   Vocal Sound
Summary

Appendix A: Supplemental Material
24-Track Tracksheet
16-Track Tracksheet
8-Track Tracksheet
Recording Budget Planner

Appendix B: Songwriter Affiliations and Services
Songwriter Universe
Indiana University Jacobs School of Music
The Harry Fox Agency
The National Music Publishers Association
The Music Publishers Association
Taxi
Avatar Publishing Group
The Bicycle Music Company
Big Loud Shirt
BMG
Casablanca Music Publishing
Cherry Heart
Criterion Music Corporation
Curb Records
Downtown Records
EMI
Fox Music
Green Hills Music
Horipro
MGM Music
Missing Link Music
Moraine Music Group
Peer Music
Universal Music
Urband and Lazar Music Publishing
Warner/Chappell Music

Appendix C: The Producers
Music Producers
   Quincy Jones
   George Martin
   Roy Thomas Baker
   T-Bone Burnett
   Danger Mouse
   Jimmy Douglas
   Dr. Dre
   Paul Epworth
   Berry Gordy
   Daniel Lanois
   Dr. Luke
   Arif Mardin
   Max Martin
   Sam Phillips
   DJ Premier
   Rick Rubin
   Phil Spector
   Smeezingtons (Bruno Mars, Philip Lawrence, Ari Levine)
   Timbaland
   Butch Vig
   Kanye West

Appendix D: The Engineers
Music Engineers
   Ed Cherney
   Joe Chiccarelli
   Bob Clearmountain
   Geoff Emerick
   Chris Lord-Alge
   Tom Lord-Alge
   George Massenburg
   Roger Nichols
   Phil Ramone
   Elliot Scheiner
   Al Schmitt
   Bruce Swedien

Appendix E: 2012 Grammy Winners

Index
Test Answers


 

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