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 While still available in two separate volumes (93234 and 93235) Roger Filiberto's widely-used beginning bass method is now available in one comprehensive book! Includes handy arpeggio charts featuring major, minor, augmented, diminished, and dominant seventh chords, plus their upper harmonic extensions. Applicable to any style of music, this method has gained widespread acceptance as the foundational text for electric bass study! Includes access to online audio and video.
 
 
 - Contents -
 
 THE RUDIMENTS OF MUSIC
 The Staff
 The Bass Clef
 Notes
 Rests
 The Time Signature
 Electric Bass Fingerboard Chart
 STUDY ON OPEN STRINGS
 Whole Note Study
 Half Note Study
 Quarter Note Study
 NOTES ON THE FOURTH STRING
 Jump Off
 Half Time
 Speeding It Up
 Dotted Half-Note
 Three-Four Time
 Mixin' It Up
 The New Comer
 NOTES ON THE THIRD STRING
 A String Study
 Half Note Study
 Quarter Note Study
 Review on E and A String
 More on A String
 E and A String
 Quiet Like
 Review
 Notes on E and A String
 NOTES ON THE SECOND STRING
 Review on all Three Strings
 NOTES ON THE FIRST STRING
 Four String Review
 THE "C" NOTE
 The Key of C
 The C Scale
 Diatonic Passages in C
 More diatonic Sequences
 A STUDY IN THIRDS
 Key of C
 Lightly Row
 The Tie
 Careless Love
 Folk Song in C
 Western Folk Song
 Cielito Lindo
 Boogie in C
 THE REPEAT SIGN
 On Top of Old Smokey
 Walking the Bass
 Saints Come Marching In
 Study of Fifths in C
 INTRODUCING THE SHARPS (#) AND FLATS (b)
 E-String
 A-String
 D-String
 G-String
 Typical Bass Part, Using Sharps and Flats THE EIGHTH NOTE
 Eighth Notes and Eighth Rests
 Example-Using Eighth Notes
 The Dotted Quarter Note
 Twelve Bar Boogie in C
 More Boogie in C
 THE KEY OF G
 The G Scale
 Thirds in G
 Eight to the Bar Boogie in G
 More Eight Bar Boogie
 Eight Bar Blues in G
 Standard Boogie Beat
 Daily Drilling
 THE SCALE OF F MAJOR
 Arpeggio Study
 Scale Pattern
 Study in Thirds (Key of F)
 More Study of Thirds in F Major
 Italian Boat Song
 Study in Fifths
 THE TRIPLET
 Two Circle of Sixths Patterns
 Example (Using F# and More Eighth Notes) THE SIXTEENTH NOTE
 More in C
 Still More in C
 Rock and Roll-Rhythm and Blues-Boogie Patterns
 Four Bar Blues Pattern in C
 BASS PARTS
 C Major
 C Minor
 C Seventh
 C Ninth
 C Major 7
 C Minor 7
 C 6
 C Mi 6
 C Mi 9
 C Major 9
 C  9
 C 9 +
 C 11
 C 11 +
 C 13
 C 13-9
 C 9/6
 THE MAJOR CHORD ARPEGGIOS
 The Major Seventh Arpeggio
 The Dominant Seventh Chord Arpeggio
 The Major Sixth Arpeggio
 The Minor Chord Arpeggio
 The Minor Seventh Arpeggio
 The Minor Sixth Chord Arpeggio
 Minor Sixth Arpeggio
 The Diminished Chord Arpeggio
 The Augmented Chord Arpeggio
 The Seventh b5
 The Seventh +5 Chord
 The 9-5 Chord Arpeggio
 The Minus Ninth Chord Arpeggio
 The Major Ninth Chord Arpeggio
 The Augmented Ninth Chord Arpeggio
 The Eleventh Chord
 The 9/6 Chord Arpeggio
 AN ORCHESTRATION STYLE
 THE TYPES OF INTERVALS
 Major
 Perfect
 Minor
 Diminished
 Augmented
 THE MAJOR INTERVALS
 THE PERFECT INTERVALS
 INTERVAL MEASUREMENT
 Unisons or Primes
 Major 2nd
 Major 3rd
 Perfect 4th
 Perfect 5th
 Major 6th
 Major 7th
 Perfect Octave
 C TO D7-TO G7-C
 16 BAR WALKING BASS PATTERN
 In Key of G Three Chord Cycle
 TONIC-DOMINANT IDEA
 8 Bar Pattern - Key of C
 Key of G
 Key of D
 Key of A
 TONIC DOMINANT IDEA
 Key of Bb
 Key of Eb
 Key of Ab
 MAJOR CHORDS
 Triads
 The Major Chord
 Scale of D Major
 Study of Third¡¯s in D
 Drink to Me Only With Thine Eyes
 Study of Fifth¡¯s In D
 Walking Bass Pattern In D
 Another Walking Bass Pattern In D
 Diatonic Study in D
 12 Bar Blues Key of D
 THE MINOR CHORDS
 The Notation of the Major and Minor Chords
 A Table of Major Key Signatures
 The Major and Relative Minor Keys
 TABLE OF SCALES
 G Major
 Ab Major
 A Major
 Bb Major
 C Major
 Db Major
 D Major
 Eb Major
 E Major
 F Major
 THE DOMINANT SEVENTH CHORD
 The Notation of the Dominant Seventh Chord
 8 BAR-3 CHORD CYCLE IN C
 8 BAR-3 CHORD CYCLE IN Db
 D Major
 Eb Major
 E Major
 F Major
 Key of G
 Key of Ab
 Key of A
 Key of Bb
 THE AUGMENTED CHORD
 Root-Major Third-Augmented Fifth
 The Note-Spelling of the Augmented Chord
 The Harmonized Harmonic Minor Scale KEEP MOVING NO. 1 - WALKING PATTERN IN C KEEP MOVING NO. 2  WALKING PATTERN THE DIMINISHED SEVENTH CHORD
 The Diminished Chords on the Chromatic Scale Bb MAJOR SCALE
 Boogie in Bb
 Twelve to the Bar - Triplet Study in Bb
 Walking Bass 3 Chord Pattern in Bb
 Typical Bass Accompaniment To The Following Chord Cycle in Bb
 Same Chord Pattern In -Walking Bass- Style
 Typical Bass Part to the Following Chord Cycle In D Major
 Triplet Study in D
 Walking Bass Style
 V POSITION STUDY
 BOOGIE BEAT IN C
 3 CHORD BLUES PATTERN IN G
 12 BAR RHYTHM AND BLUES STUDY-IN KEY OF C TYPICAL BASS PART TO THE FOLLOWING CHORD CYCLE IN C MAJOR
 C, A7, D7,G7,C
 Same Chord Pattern in Walking Bass Style SPOOKY STUFF
 A Minor Jazz Mode
 8 Bar 3 Chord Cycle-Walking Bass Pattern in A Minor
 Four Bar Vamp or Intro.
 More 4 Bar Intro.
 Relaxing (2nd and 4th position moveable)
 Easy Does It (2nd and 4th position moveable form)
 Key Largo Blues  3 Chord Pattern (2nd and 4th position moveable)
 A Study in Octaves
 Typical Bass Part in F with wide Range of Chords
 Study of Fifths in G
 Rhythm and Blues Pattern in G (This is a moveable pattern)
 More Walking Bass 3 Chord Pattern (Key of C)
 Diatonic Study in Eighth Notes
 Rhythm and Blues Pattern in C (This is a moveable pattern)
 Rhythm and Blues in E
 Walking Bass 3 Chord Pattern (Key of G, this is a moveable pattern)
 Diatonic Sequence in G
 Tenths Study (On 4th and 1st Strings)
 Octave Study (Using 1st and 3rd fingers on 4th and 2nd strings)
 Little Brown Jug (Practice in First Position) THE C MAJOR SCALE IN 2ND POSITION AND 7TH POSITION ARE FINGERED ALIKE
 Seventh Position Scale (Containing Bb)
 American Patrol (A study in syncopation, 7th position)
 
 
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